![]() The “high” setting seemed to correspond to approximately 90% and was chosen. Phocus offered a “high” quality setting as well as maximum and some lower settings. RPP offered nothing between 85% and 95%, so 85% was chosen. Otherwise, the default settings were accepted. When either or both options were given, quality was set to 90 and the colour profile to sRGB. Images were directly exported from the converters to JPEG. That’s all I’m going to focus on, for this as well as part 2. Images shown as part of this review are the default renderings. The test image by Beka Pukhashvili: flat picture preview as shown by Luminance HDR (same concept as ungraded video footage) Note: Later additions to this article have not all been thoroughly reviewed yet. ![]() Surprisingly, all programs seemed to support Pentax cameras as both DNG and PEF. Criteria for selection were that the software should support Pentax cameras and be usable completely offline I will mark the differences in the table. If you’re a Windows user, you may find a few names on this list that you haven’t heard of before, as they are Mac-exclusive. So here’s a big comparison of almost all the available commercial RAW converters for Mac, plus six open source ones, plus three commercial Windows-only titles. For technical reasons, it will continue to say Nov ’18 at the top, but includes software that was released after that date. Note: This article has continued to receive updates.
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